Remastered to HD // 2006 documentary // Uncut version.
𝘛𝘩𝘦 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺 𝘣𝘦𝘨𝘪𝘯𝘴 𝘸𝘪𝘵𝘩 𝘥𝘪𝘳𝘦𝘤𝘵𝘰𝘳 𝘞𝘪𝘭𝘭 𝘠𝘢𝘱𝘱 𝘢𝘳𝘳𝘪𝘷𝘪𝘯𝘨 𝘢𝘵 𝘊𝘰𝘶𝘳𝘵𝘯𝘦𝘺 𝘓𝘰𝘷𝘦’𝘴 𝘳𝘦𝘯𝘵𝘦𝘥 𝘩𝘰𝘮𝘦 𝘪𝘯 𝘉𝘦𝘷𝘦𝘳𝘭𝘺 𝘏𝘪𝘭𝘭𝘴, 𝘊𝘢𝘭𝘪𝘧𝘰𝘳𝘯𝘪𝘢 𝘵𝘰 𝘧𝘪𝘯𝘥 𝘩𝘦𝘳 𝘤𝘩𝘢𝘯𝘵𝘪𝘯𝘨 𝘸𝘪𝘵𝘩 𝘧𝘳𝘪𝘦𝘯𝘥𝘴 𝘪𝘯 𝘩𝘦𝘳 𝘭𝘪𝘷𝘪𝘯𝘨 𝘳𝘰𝘰𝘮 – 𝘢 𝘳𝘰𝘶𝘵𝘪𝘯𝘦, 𝘢𝘴 𝘓𝘰𝘷𝘦 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦𝘴 𝘕𝘪𝘤𝘩𝘪𝘳𝘦𝘯 𝘉𝘶𝘥𝘥𝘩𝘪𝘴𝘮. 𝘓𝘰𝘷𝘦 𝘨𝘰𝘦𝘴 𝘰𝘯 𝘵𝘰 𝘦𝘹𝘱𝘭𝘢𝘪𝘯 𝘩𝘦𝘳 𝘳𝘦𝘭𝘪𝘨𝘪𝘰𝘶𝘴 𝘢𝘯𝘥 𝘴𝘱𝘪𝘳𝘪𝘵𝘶𝘢𝘭 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴. 𝘛𝘩𝘦 𝘯𝘦𝘹𝘵 𝘧𝘰𝘤𝘶𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺 𝘪𝘴 𝘓𝘰𝘷𝘦’𝘴 𝘪𝘭𝘭-𝘧𝘢𝘵𝘦𝘥 s𝘰𝘭𝘰 𝘥𝘦𝘣𝘶𝘵, 𝘈𝘮𝘦𝘳𝘪𝘤𝘢’𝘴 𝘚𝘸𝘦𝘦𝘵𝘩𝘦𝘢𝘳𝘵. 𝘊𝘰-𝘸𝘳𝘪𝘵𝘦𝘳 𝘢𝘯𝘥 𝘱𝘢𝘳𝘵𝘪𝘢𝘭 𝘱𝘳𝘰𝘥𝘶𝘤𝘦𝘳, 𝘓𝘪𝘯𝘥𝘢 𝘗𝘦𝘳𝘳𝘺 – 𝘢𝘭𝘴𝘰 𝘢 𝘧𝘳𝘪𝘦𝘯𝘥 𝘰𝘧 𝘓𝘰𝘷𝘦’𝘴 – 𝘦𝘹𝘱𝘭𝘢𝘪𝘯𝘴 𝘵𝘩𝘦 𝘤𝘪𝘳𝘤𝘶𝘮𝘴𝘵𝘢𝘯𝘤𝘦𝘴 𝘴𝘶𝘳𝘳𝘰𝘶𝘯𝘥𝘪𝘯𝘨 𝘵𝘩𝘦 𝘢𝘭𝘣𝘶𝘮’𝘴 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨, 𝘤𝘪𝘵𝘪𝘯𝘨 𝘓𝘰𝘷𝘦’𝘴 𝘥𝘳𝘶𝘨 𝘢𝘣𝘶𝘴𝘦 𝘢𝘴 𝘵𝘩𝘦 𝘳𝘦𝘢𝘴𝘰𝘯 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘢𝘭𝘣𝘶𝘮’𝘴 𝘳𝘶𝘪𝘯. 𝘈𝘴 𝘸𝘦𝘭𝘭 𝘢𝘴 𝘵𝘩𝘪𝘴, 𝘗𝘦𝘳𝘳𝘺 𝘢𝘯𝘥 𝘓𝘰𝘷𝘦’𝘴 𝘧𝘳𝘪𝘦𝘯𝘥 𝘉𝘪𝘭𝘭𝘺 𝘊𝘰𝘳𝘨𝘢𝘯 𝘰𝘧 𝘛𝘩𝘦 𝘚𝘮𝘢𝘴𝘩𝘪𝘯𝘨 𝘗𝘶𝘮𝘱𝘬𝘪𝘯𝘴 𝘴𝘵𝘢𝘵𝘦 𝘵𝘩𝘢𝘵 𝘵𝘩𝘦 𝘳𝘦𝘢𝘴𝘰𝘯 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘢𝘭𝘣𝘶𝘮’𝘴 𝘤𝘳𝘪𝘵𝘪𝘤𝘢𝘭 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘦𝘳𝘤𝘪𝘢𝘭 𝘧𝘢𝘪𝘭𝘶𝘳𝘦 𝘸𝘢𝘴 𝘓𝘰𝘷𝘦’𝘴 𝘱𝘶𝘣𝘭𝘪𝘤 𝘪𝘮𝘢𝘨𝘦, 𝘸𝘩𝘪𝘤𝘩 𝘢𝘵 𝘵𝘩𝘦 𝘵𝘪𝘮𝘦 𝘸𝘢𝘴 𝘱𝘭𝘢𝘨𝘶𝘦𝘥 𝘣𝘺 𝘤𝘰𝘯𝘴𝘵𝘢𝘯𝘵 𝘤𝘰𝘶𝘳𝘵 𝘢𝘱𝘱𝘦𝘢𝘳𝘢𝘯𝘤𝘦𝘴 𝘢𝘯𝘥 𝘢𝘯 𝘪𝘯𝘧𝘢𝘮𝘰𝘶𝘴 𝘢𝘱𝘱𝘦𝘢𝘳𝘢𝘯𝘤𝘦 𝘰𝘯 𝘗𝘢𝘮𝘦𝘭𝘢 𝘈𝘯𝘥𝘦𝘳𝘴𝘰𝘯’𝘴 𝘊𝘰𝘮𝘦𝘥𝘺 𝘙𝘰𝘢𝘴𝘵. 𝘈𝘧𝘵𝘦𝘳 𝘓𝘰𝘷𝘦’𝘴 𝘳𝘦𝘤𝘦𝘯𝘵 𝘣𝘢𝘤𝘬𝘨𝘳𝘰𝘶𝘯𝘥 𝘪𝘴 𝘦𝘹𝘱𝘭𝘢𝘪𝘯𝘦𝘥, 𝘵𝘩𝘦 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺 𝘧𝘰𝘤𝘶𝘴𝘦𝘴 𝘰𝘯 𝘵𝘩𝘦 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘰𝘧 𝘩𝘦𝘳 𝘵𝘩𝘦𝘯-𝘶𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘴𝘰𝘭𝘰 𝘴𝘦𝘤𝘰𝘯𝘥 𝘢𝘭𝘣𝘶𝘮, 𝘏𝘰𝘸 𝘋𝘪𝘳𝘵𝘺 𝘎𝘪𝘳𝘭𝘴 𝘎𝘦𝘵 𝘊𝘭𝘦𝘢𝘯. 𝘈𝘴 𝘓𝘰𝘷𝘦 𝘢𝘯𝘥 𝘩𝘦𝘳 𝘴𝘰𝘭𝘰 𝘣𝘢𝘯𝘥 𝘱𝘦𝘳𝘧𝘰𝘳𝘮 𝘢 𝘳𝘦𝘩𝘦𝘢𝘳𝘴𝘢𝘭 𝘷𝘦𝘳𝘴𝘪𝘰𝘯 𝘰𝘧 𝘵𝘩𝘦 𝘵𝘪𝘵𝘭𝘦 𝘵𝘳𝘢𝘤𝘬, 𝘓𝘰𝘷𝘦 𝘦𝘹𝘱𝘭𝘢𝘪𝘯𝘴 𝘵𝘩𝘦 𝘢𝘭𝘣𝘶𝘮’𝘴 𝘴𝘰𝘯𝘨𝘴, 𝘤𝘢𝘭𝘭𝘪𝘯𝘨 𝘵𝘩𝘦𝘮 “𝘢𝘭𝘭 𝘢𝘤𝘦𝘳𝘣𝘪𝘤 𝘯𝘰𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦𝘮 𝘢𝘳𝘦 𝘵𝘦𝘯𝘥𝘦𝘳 𝘭𝘰𝘷𝘦 𝘴𝘰𝘯𝘨𝘴 𝘰𝘳 𝘷𝘦𝘳𝘺 𝘯𝘪𝘤𝘦. 𝘛𝘩𝘦𝘺’𝘳𝘦 𝘢𝘭𝘭 𝘴𝘰𝘯𝘨𝘴 𝘢𝘣𝘰𝘶𝘵 𝘥𝘪𝘴𝘢𝘴𝘵𝘦𝘳.” 𝘓𝘰𝘷𝘦 𝘢𝘭𝘴𝘰 𝘦𝘹𝘱𝘭𝘢𝘪𝘯𝘴 𝘩𝘦𝘳 𝘮𝘰𝘵𝘪𝘷𝘢𝘵𝘪𝘰𝘯 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘢𝘭𝘣𝘶𝘮. 𝘓𝘢𝘵𝘦𝘳 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺, 𝘵𝘩𝘦 𝘧𝘰𝘤𝘶𝘴 𝘢𝘨𝘢𝘪𝘯 𝘴𝘸𝘪𝘵𝘤𝘩𝘦𝘴 𝘣𝘢𝘤𝘬 𝘵𝘰 𝘵𝘩𝘦 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘰𝘧 𝘏𝘰𝘸 𝘋𝘪𝘳𝘵𝘺 𝘎𝘪𝘳𝘭𝘴 𝘎𝘦𝘵 𝘊𝘭𝘦𝘢𝘯 𝘸𝘪𝘵𝘩 𝘪𝘯-𝘴𝘵𝘶𝘥𝘪𝘰 𝘧𝘰𝘰𝘵𝘢𝘨𝘦, 𝘢𝘴 𝘸𝘦𝘭𝘭 𝘢𝘴 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘪𝘯𝘨 𝘵𝘩𝘦 𝘴𝘰𝘯𝘨-𝘸𝘳𝘪𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘱𝘳𝘰𝘥𝘶𝘤𝘵𝘪𝘰𝘯 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘸𝘪𝘵𝘩 𝘓𝘪𝘯𝘥𝘢 𝘗𝘦𝘳𝘳𝘺 𝘢𝘯𝘥 𝘉𝘪𝘭𝘭𝘺 𝘊𝘰𝘳𝘨𝘢𝘯. 𝘈𝘧𝘵𝘦𝘳 𝘵𝘩𝘳𝘦𝘦 𝘸𝘦𝘦𝘬𝘴 𝘰𝘧 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨, 𝘢 𝘧𝘶𝘭𝘭𝘺 𝘱𝘳𝘰𝘥𝘶𝘤𝘦𝘥 𝘷𝘦𝘳𝘴𝘪𝘰𝘯 𝘰𝘧 “𝘚𝘶𝘯𝘴𝘦𝘵 𝘔𝘢𝘳𝘲𝘶𝘪𝘴” 𝘪𝘴 𝘱𝘳𝘦𝘷𝘪𝘦𝘸𝘦𝘥. 𝘛𝘩𝘦 𝘯𝘦𝘹𝘵 𝘴𝘦𝘨𝘮𝘦𝘯𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺 𝘧𝘰𝘤𝘶𝘴𝘦𝘴 𝘰𝘯 𝘓𝘰𝘷𝘦’𝘴 𝘭𝘢𝘵𝘦 𝘩𝘶𝘴𝘣𝘢𝘯𝘥, 𝘕𝘪𝘳𝘷𝘢𝘯𝘢 𝘧𝘳𝘰𝘯𝘵𝘮𝘢𝘯 𝘒𝘶𝘳𝘵 𝘊𝘰𝘣𝘢𝘪𝘯, 𝘵𝘩𝘦𝘪𝘳 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱, 𝘢𝘯𝘥 𝘩𝘪𝘴 𝘥𝘦𝘢𝘵𝘩. 𝘈𝘴 𝘸𝘦𝘭𝘭 𝘢𝘴 𝘴𝘩𝘰𝘸𝘪𝘯𝘨 𝘯𝘦𝘷𝘦𝘳-𝘣𝘦𝘧𝘰𝘳𝘦-𝘴𝘦𝘦𝘯 𝘱𝘳𝘪𝘷𝘢𝘵𝘦 𝘩𝘰𝘮𝘦 𝘧𝘰𝘰𝘵𝘢𝘨𝘦, 𝘓𝘰𝘷𝘦 𝘴𝘩𝘰𝘸𝘴 𝘵𝘩𝘦 𝘤𝘰𝘢𝘵 𝘵𝘩𝘢𝘵 𝘊𝘰𝘣𝘢𝘪𝘯 𝘬𝘪𝘭𝘭𝘦𝘥 𝘩𝘪𝘮𝘴𝘦𝘭𝘧 𝘪𝘯, 𝘣𝘦𝘤𝘰𝘮𝘪𝘯𝘨 𝘦𝘮𝘰𝘵𝘪𝘰𝘯𝘢𝘭 𝘢𝘯𝘥 𝘴𝘢𝘺𝘪𝘯𝘨 𝘵𝘩𝘢𝘵 “𝘪𝘵 𝘧𝘳𝘦𝘢𝘬𝘴 𝘩𝘦𝘳 𝘰𝘶𝘵.” 𝘍𝘶𝘳𝘵𝘩𝘦𝘳 𝘦𝘹𝘱𝘭𝘢𝘪𝘯𝘪𝘯𝘨 𝘵𝘩𝘦𝘪𝘳 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱, 𝘢 𝘤𝘭𝘪𝘱 𝘰𝘧 𝘓𝘰𝘷𝘦 𝘱𝘦𝘳𝘧𝘰𝘳𝘮𝘪𝘯𝘨 “𝘗𝘢𝘤𝘪𝘧𝘪𝘤 𝘊𝘰𝘢𝘴𝘵 𝘏𝘪𝘨𝘩𝘸𝘢𝘺” – 𝘢 𝘴𝘰𝘯𝘨 𝘳𝘶𝘮𝘰𝘶𝘳𝘦𝘥 𝘵𝘰 𝘣𝘦 𝘢𝘣𝘰𝘶𝘵 𝘊𝘰𝘣𝘢𝘪𝘯 – 𝘪𝘴 𝘴𝘩𝘰𝘸𝘯. 𝘍𝘶𝘳𝘵𝘩𝘦𝘳 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺, 𝘭𝘦𝘨𝘢𝘭 𝘪𝘴𝘴𝘶𝘦𝘴 𝘤𝘰𝘯𝘤𝘦𝘳𝘯𝘪𝘯𝘨 𝘓𝘰𝘷𝘦’𝘴 𝘳𝘪𝘨𝘩𝘵𝘴 𝘵𝘰 𝘕𝘪𝘳𝘷𝘢𝘯𝘢’𝘴 𝘣𝘢𝘤𝘬 𝘤𝘢𝘵𝘢𝘭𝘰𝘨𝘶𝘦 𝘢𝘳𝘦 𝘩𝘪𝘨𝘩𝘭𝘪𝘨𝘩𝘵𝘦𝘥, 𝘢𝘴 𝘸𝘦𝘭𝘭 𝘢𝘴 𝘓𝘰𝘷𝘦’𝘴 𝘧𝘪𝘯𝘢𝘯𝘤𝘪𝘢𝘭 𝘴𝘵𝘢𝘵𝘦. 𝘓𝘰𝘷𝘦’𝘴 𝘰𝘵𝘩𝘦𝘳 𝘯𝘰𝘯-𝘮𝘶𝘴𝘪𝘤𝘢𝘭 𝘱𝘳𝘰𝘫𝘦𝘤𝘵𝘴 𝘢𝘳𝘦 𝘢𝘭𝘴𝘰 𝘴𝘩𝘰𝘸𝘤𝘢𝘴𝘦𝘥 𝘢𝘵 𝘰𝘯𝘦 𝘱𝘰𝘪𝘯𝘵 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺, 𝘴𝘱𝘦𝘤𝘪𝘧𝘪𝘤𝘢𝘭𝘭𝘺 𝘩𝘦𝘳 𝘣𝘰𝘰𝘬 𝘋𝘪𝘳𝘵𝘺 𝘉𝘭𝘰𝘯𝘥𝘦: 𝘛𝘩𝘦 𝘋𝘪𝘢𝘳𝘪𝘦𝘴 𝘰𝘧 𝘊𝘰𝘶𝘳𝘵𝘯𝘦𝘺 𝘓𝘰𝘷𝘦. 𝘈𝘵 𝘵𝘩𝘪𝘴 𝘱𝘰𝘪𝘯𝘵, 𝘓𝘰𝘷𝘦 𝘢𝘭𝘴𝘰 𝘦𝘹𝘱𝘭𝘢𝘪𝘯𝘴 𝘩𝘦𝘳 𝘤𝘩𝘪𝘭𝘥𝘩𝘰𝘰𝘥 𝘢𝘯𝘥 𝘶𝘱𝘣𝘳𝘪𝘯𝘨𝘪𝘯𝘨, 𝘳𝘦𝘧𝘦𝘳𝘳𝘪𝘯𝘨 𝘵𝘰 𝘪𝘵 𝘢𝘴 “𝘋𝘪𝘤𝘬𝘦𝘯𝘴𝘪𝘢𝘯.” 𝘐𝘯𝘤𝘪𝘥𝘦𝘯𝘵𝘢𝘭𝘭𝘺, 𝘓𝘰𝘷𝘦’𝘴 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱 𝘸𝘪𝘵𝘩 𝘩𝘦𝘳 𝘥𝘢𝘶𝘨𝘩𝘵𝘦𝘳, 𝘍𝘳𝘢𝘯𝘤𝘦𝘴 𝘉𝘦𝘢𝘯 𝘊𝘰𝘣𝘢𝘪𝘯 𝘪𝘴 𝘢𝘭𝘴𝘰 𝘦𝘹𝘱𝘭𝘰𝘳𝘦𝘥. 𝘓𝘰𝘷𝘦 𝘵𝘩𝘦𝘯 𝘷𝘪𝘴𝘪𝘵𝘴 𝘩𝘦𝘳 𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘮𝘦𝘯𝘵𝘰𝘳, 𝘊𝘢𝘳𝘳𝘪𝘦 𝘍𝘪𝘴𝘩𝘦𝘳, 𝘢𝘯𝘥 𝘥𝘪𝘴𝘤𝘶𝘴𝘴 𝘮𝘦𝘵𝘩𝘰𝘥𝘴 𝘧𝘰𝘳 𝘓𝘰𝘷𝘦 𝘵𝘰 𝘢𝘷𝘰𝘪𝘥 𝘢𝘵𝘵𝘦𝘯𝘵𝘪𝘰𝘯 𝘪𝘯 𝘉𝘳𝘪𝘵𝘪𝘴𝘩 𝘵𝘢𝘣𝘭𝘰𝘪𝘥𝘴 𝘢𝘯𝘥 𝘓𝘰𝘷𝘦’𝘴 𝘳𝘰𝘮𝘢𝘯𝘵𝘪𝘤 𝘩𝘪𝘴𝘵𝘰𝘳𝘺. 𝘈𝘴 𝘵𝘩𝘦 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺 𝘦𝘯𝘥𝘴, 𝘓𝘰𝘷𝘦 𝘵𝘢𝘭𝘬𝘴 𝘢𝘣𝘰𝘶𝘵 𝘩𝘦𝘳 𝘧𝘶𝘵𝘶𝘳𝘦 𝘢𝘮𝘣𝘪𝘵𝘪𝘰𝘯𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘳𝘦𝘭𝘦𝘢𝘴𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘢𝘭𝘣𝘶𝘮. 𝘛𝘩𝘦 𝘙𝘦𝘵𝘶𝘳𝘯 𝘰𝘧 𝘊𝘰𝘶𝘳𝘵𝘯𝘦𝘺 𝘓𝘰𝘷𝘦’𝘴 𝘩𝘪𝘨𝘩𝘭𝘪𝘨𝘩𝘵 𝘪𝘴 𝘵𝘩𝘦 𝘮𝘶𝘴𝘪𝘤 𝘱𝘳𝘦𝘷𝘪𝘦𝘸𝘦𝘥 𝘵𝘩𝘳𝘰𝘶𝘨𝘩𝘰𝘶𝘵 𝘵𝘩𝘦 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺. 𝘙𝘦𝘩𝘦𝘢𝘳𝘴𝘢𝘭 𝘤𝘭𝘪𝘱𝘴, 𝘥𝘦𝘮𝘰 𝘱𝘳𝘦𝘷𝘪𝘦𝘸𝘴 𝘢𝘯𝘥 𝘪𝘯-𝘴𝘵𝘶𝘥𝘪𝘰 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘧𝘰𝘰𝘵𝘢𝘨𝘦 𝘴𝘩𝘰𝘸𝘤𝘢𝘴𝘦 𝘵𝘩𝘦 𝘱𝘳𝘰𝘨𝘳𝘦𝘴𝘴𝘪𝘰𝘯 𝘰𝘧 𝘴𝘰𝘯𝘨𝘴 𝘭𝘢𝘵𝘦𝘳 𝘳𝘦𝘭𝘦𝘢𝘴𝘦𝘥 𝘢𝘯𝘥 𝘱𝘳𝘰𝘷𝘪𝘥𝘦 𝘢 𝘶𝘯𝘪𝘲𝘶𝘦 𝘪𝘯𝘴𝘪𝘨𝘩𝘵 𝘪𝘯𝘵𝘰 𝘓𝘰𝘷𝘦’𝘴 𝘴𝘰𝘯𝘨-𝘸𝘳𝘪𝘵𝘪𝘯𝘨 𝘱𝘳𝘰𝘤𝘦𝘴𝘴. 𝘍𝘰𝘶𝘳 𝘰𝘧 𝘵𝘩𝘦 𝘧𝘦𝘢𝘵𝘶𝘳𝘦𝘥 𝘴𝘰𝘯𝘨𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺 𝘢𝘱𝘱𝘦𝘢𝘳𝘦𝘥 𝘰𝘯 𝘏𝘰𝘭𝘦’𝘴 𝘧𝘰𝘶𝘳𝘵𝘩 𝘴𝘵𝘶𝘥𝘪𝘰 𝘢𝘭𝘣𝘶𝘮, 𝘕𝘰𝘣𝘰𝘥𝘺’𝘴 𝘋𝘢𝘶𝘨𝘩𝘵𝘦𝘳. 𝘕𝘰𝘣𝘰𝘥𝘺’𝘴 𝘋𝘢𝘶𝘨𝘩𝘵𝘦𝘳 – 𝘸𝘩𝘪𝘤𝘩 𝘸𝘢𝘴 𝘵𝘩𝘦 𝘧𝘪𝘯𝘢𝘭 𝘱𝘳𝘰𝘥𝘶𝘤𝘵 𝘰𝘧 𝘓𝘰𝘷𝘦’𝘴 𝘶𝘯𝘳𝘦𝘭𝘦𝘢𝘴𝘦𝘥 𝘏𝘰𝘸 𝘋𝘪𝘳𝘵𝘺 𝘎𝘪𝘳𝘭𝘴 𝘎𝘦𝘵 𝘊𝘭𝘦𝘢𝘯 – 𝘸𝘢𝘴 𝘰𝘳𝘪𝘨𝘪𝘯𝘢𝘭𝘭𝘺 𝘥𝘶𝘦 𝘵𝘰 𝘣𝘦 𝘵𝘩𝘦 𝘳𝘦𝘸𝘰𝘳𝘬𝘦𝘥 𝘷𝘦𝘳𝘴𝘪𝘰𝘯 𝘰𝘧 𝘏𝘰𝘸 𝘋𝘪𝘳𝘵𝘺 𝘎𝘪𝘳𝘭𝘴 𝘎𝘦𝘵 𝘊𝘭𝘦𝘢𝘯, 𝘩𝘰𝘸𝘦𝘷𝘦𝘳, 𝘸𝘢𝘴 𝘳𝘦𝘳𝘦𝘤𝘰𝘳𝘥𝘦𝘥 𝘢𝘴 𝘢 𝘏𝘰𝘭𝘦 𝘢𝘭𝘣𝘶𝘮. 𝘔𝘶𝘴𝘪𝘤 𝘧𝘦𝘢𝘵𝘶𝘳𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺 𝘪𝘯𝘤𝘭𝘶𝘥𝘦𝘴:
· 𝘈𝘯 𝘢𝘤𝘰𝘶𝘴𝘵𝘪𝘤 𝘳𝘦𝘩𝘦𝘢𝘳𝘴𝘢𝘭 𝘷𝘦𝘳𝘴𝘪𝘰𝘯 𝘰𝘧 “𝘏𝘰𝘸 𝘋𝘪𝘳𝘵𝘺 𝘎𝘪𝘳𝘭𝘴 𝘎𝘦𝘵 𝘊𝘭𝘦𝘢𝘯”
· 𝘈𝘯 𝘪𝘯-𝘴𝘵𝘶𝘥𝘪𝘰 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨, 𝘢 𝘳𝘦𝘩𝘦𝘢𝘳𝘴𝘢𝘭 𝘷𝘦𝘳𝘴𝘪𝘰𝘯, 𝘢𝘯𝘥 𝘢 𝘳𝘰𝘶𝘨𝘩 𝘴𝘵𝘶𝘥𝘪𝘰 𝘮𝘪𝘹 𝘰𝘧 “𝘗𝘢𝘤𝘪𝘧𝘪𝘤 𝘊𝘰𝘢𝘴𝘵 𝘏𝘪𝘨𝘩𝘸𝘢𝘺”
· 𝘛𝘸𝘰 𝘳𝘦𝘩𝘦𝘢𝘳𝘴𝘢𝘭 𝘷𝘦𝘳𝘴𝘪𝘰𝘯𝘴 𝘰𝘧 “𝘚𝘵𝘢𝘯𝘥 𝘜𝘱, 𝘔𝘰𝘵𝘩𝘦𝘳𝘧𝘶𝘤𝘬𝘦𝘳”
· 𝘈 𝘥𝘦𝘮𝘰 𝘱𝘳𝘦𝘷𝘪𝘦𝘸 𝘰𝘧 𝘢𝘯 𝘶𝘯𝘬𝘯𝘰𝘸𝘯 𝘴𝘰𝘯𝘨
· 𝘈𝘯 𝘪𝘯-𝘴𝘵𝘶𝘥𝘪𝘰 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘰𝘧 “𝘛𝘩𝘦 𝘋𝘦𝘱𝘵𝘩𝘴 𝘰𝘧 𝘔𝘺 𝘋𝘦𝘴𝘱𝘢𝘪𝘳”
· 𝘈 𝘳𝘰𝘶𝘨𝘩 𝘴𝘵𝘶𝘥𝘪𝘰 𝘮𝘪𝘹 𝘰𝘧 “𝘏𝘢𝘱𝘱𝘺 𝘌𝘯𝘥𝘪𝘯𝘨 𝘚𝘵𝘰𝘳𝘺”
· 𝘈𝘯 𝘢𝘤𝘰𝘶𝘴𝘵𝘪𝘤 𝘳𝘦𝘩𝘦𝘢𝘳𝘴𝘢𝘭, 𝘢𝘯 𝘪𝘯-𝘴𝘵𝘶𝘥𝘪𝘰 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨, 𝘢𝘯𝘥 𝘢 𝘳𝘰𝘶𝘨𝘩 𝘴𝘵𝘶𝘥𝘪𝘰 𝘮𝘪𝘹 𝘰𝘧 “𝘚𝘶𝘯𝘴𝘦𝘵 𝘔𝘢𝘳𝘲𝘶𝘪𝘴”
· 𝘈𝘯 𝘢𝘤𝘰𝘶𝘴𝘵𝘪𝘤 𝘳𝘦𝘩𝘦𝘢𝘳𝘴𝘢𝘭 𝘰𝘧 𝘢𝘯 𝘶𝘯𝘬𝘯𝘰𝘸𝘯 𝘴𝘰𝘯𝘨
· 𝘈𝘯 𝘪𝘯-𝘴𝘵𝘶𝘥𝘪𝘰 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘰𝘧 “𝘍𝘰𝘳 𝘖𝘯𝘤𝘦 𝘪𝘯 𝘠𝘰𝘶𝘳 𝘓𝘪𝘧𝘦”
· 𝘈 𝘴𝘵𝘶𝘥𝘪𝘰 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘰𝘧 “𝘚𝘢𝘥 𝘉𝘶𝘵 𝘛𝘳𝘶𝘦” 𝘪𝘴 𝘧𝘦𝘢𝘵𝘶𝘳𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘜𝘯𝘪𝘵𝘦𝘥 𝘚𝘵𝘢𝘵𝘦𝘴 𝘷𝘦𝘳𝘴𝘪𝘰𝘯.
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Published at Tue, 13 Apr 2021 03:11:58 GMT
